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Title | Utagawa Kunisada (Toyokuni III) - |
Description | At the Kunisada - Project you find a collection of thousands of prints and hundreds of series from one of the most prolific Japanese Unkiyo-e |
Keywords | Utagawa Kunisada Toyokuni III woodblock print prints Japanese artist woodcut ukiyo-e ukiyoe Kabuki Bijin Genji Sumo Surimono |
WebSite | kunisada.de |
Host IP | 185.137.168.84 |
Location | - |
Euro€6,061
Zuletzt aktualisiert: 2022-08-25 17:40:08
kunisada.de hat Semrush globalen Rang von 4,350,889. kunisada.de hat einen geschätzten Wert von € 6,061, basierend auf seinen geschätzten Werbeeinnahmen. kunisada.de empfängt jeden Tag ungefähr 551 einzelne Besucher. Sein Webserver befindet sich in - mit der IP-Adresse 185.137.168.84. Laut SiteAdvisor ist kunisada.de sicher zu besuchen. |
Kauf-/Verkaufswert | Euro€6,061 |
Tägliche Werbeeinnahmen | Euro€181,830 |
Monatlicher Anzeigenumsatz | Euro€60,610 |
Jährliche Werbeeinnahmen | Euro€4,408 |
Tägliche eindeutige Besucher | 551 |
Hinweis: Alle Traffic- und Einnahmenwerte sind Schätzungen. |
Host | Type | TTL | Data |
kunisada.de. | A | 599 | IP: 185.137.168.84 |
kunisada.de. | NS | 600 | NS Record: cns1.cloudpit.de. |
kunisada.de. | NS | 600 | NS Record: cns2.cloudpit.com. |
kunisada.de. | NS | 600 | NS Record: cns3.cloudpit.io. |
kunisada.de. | MX | 600 | MX Record: 10 mx.freenet.de. |
kunisada.de. | TXT | 600 | TXT Record: v=spf1 include:freenet.de include:secure-mailgate.com ~all |
The Utagawa Kunisada (Toyokuni III) - Project 歌川国貞 , 三代歌川豊国 M y first Japanese woodblock print reproduction I bought aged 15 in the year 1970. In the following two decades I read some books about Japanese woodblock prints and occasionally bought a new print . Where I looked for prints, fleamarkets or auctions, I always could find prints by Kunisada, but I couldnt find any literature about him. When he was mentioned in literature he was regarded as rather inferior to the greats of classical ukiyo-e. With a few exceptions, such as actor portraits and portraits of beautiful women, at the beginning of his career, and a series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburgs overview of the artistic development of Kunisada, Ellis Tinioss introduction to his actor woodblock prints and Sebastian Izzards extensive study of his work, that this picture began to |
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