kunisada.de bewertung und analyse

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Title Utagawa Kunisada (Toyokuni III) -
Description At the Kunisada - Project you find a collection of thousands of prints and hundreds of series from one of the most prolific Japanese Unkiyo-e
Keywords Utagawa Kunisada Toyokuni III woodblock print prints Japanese artist woodcut ukiyo-e ukiyoe Kabuki Bijin Genji Sumo Surimono
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WebSite kunisada faviconkunisada.de
Host IP 185.137.168.84
Location -
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kunisada.de bewertung
Euro6,061
Zuletzt aktualisiert: 2022-08-25 17:40:08

kunisada.de hat Semrush globalen Rang von 4,350,889. kunisada.de hat einen geschätzten Wert von € 6,061, basierend auf seinen geschätzten Werbeeinnahmen. kunisada.de empfängt jeden Tag ungefähr 551 einzelne Besucher. Sein Webserver befindet sich in - mit der IP-Adresse 185.137.168.84. Laut SiteAdvisor ist kunisada.de sicher zu besuchen.

Verkehr & Wertschätzungen
Kauf-/Verkaufswert Euro€6,061
Tägliche Werbeeinnahmen Euro€181,830
Monatlicher Anzeigenumsatz Euro€60,610
Jährliche Werbeeinnahmen Euro€4,408
Tägliche eindeutige Besucher 551
Hinweis: Alle Traffic- und Einnahmenwerte sind Schätzungen.
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kunisada.de. A 599 IP: 185.137.168.84
kunisada.de. NS 600 NS Record: cns1.cloudpit.de.
kunisada.de. NS 600 NS Record: cns2.cloudpit.com.
kunisada.de. NS 600 NS Record: cns3.cloudpit.io.
kunisada.de. MX 600 MX Record: 10 mx.freenet.de.
kunisada.de. TXT 600 TXT Record: v=spf1 include:freenet.de include:secure-mailgate.com ~all
HtmlToTextCheckTime:2022-08-25 17:40:08
The Utagawa Kunisada (Toyokuni III) - Project 歌川国貞 , 三代歌川豊国 M y first Japanese woodblock print reproduction I bought aged 15 in the year 1970. In the following two decades I read some books about Japanese woodblock prints and occasionally bought a new print . Where I looked for prints, fleamarkets or auctions, I always could find prints by Kunisada, but I couldnt find any literature about him. When he was mentioned in literature he was regarded as rather inferior to the greats of classical ukiyo-e. With a few exceptions, such as actor portraits and portraits of beautiful women, at the beginning of his career, and a series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburgs overview of the artistic development of Kunisada, Ellis Tinioss introduction to his actor woodblock prints and Sebastian Izzards extensive study of his work, that this picture began to
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